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Calla Leaves, about 1930
Calla Leaves, about 1930
Open a larger version of the following image in a popup:
Calla Leaves, about 1930
Calla Leaves, about 1930
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Matted and Mounted on Archival Museum Board
Matted and Mounted on Archival Museum Board
Calla Leaves, about 1930
Silver Gelatin Estate Print
Print: 9.25 x 7.25 inches
Mount: 18 x 14 inches
Mount: 18 x 14 inches
Framing options:
Currency:
Further images
This Silver Gelatin Estate print from the Imogen Cunningham Trust is made in the traditional darkroom from Imogen's original negative. Matted and mounted on four-ply archival museum board. FRAMING CHOICE...
This Silver Gelatin Estate print from the Imogen Cunningham Trust is made in the traditional darkroom from Imogen's original negative. Matted and mounted on four-ply archival museum board.
FRAMING CHOICE
The print can be ordered unframed or framed. If the print is ordered unframed, it arrives mounted and over-matted, with the provenance label on the verso, protected in an archival clear sleeve and ready to frame.
The framed prints are wall-ready with a ‘sandwich’ of UV plexiglass, the matted / over-mounted print, and a protective back-board behind the print. We seal the back of the frame with archival frame-sealing tape and use coated stainless steel picture-hanging wire, attached to the frame with low-profile hardware.
A CHOICE OF UNFRAMED OR FRAMED
UNFRAMED: If the print is ordered unframed, it arrives mounted and over-matted, with the provenance label on the verso, protected in an archival clear sleeve and ready to frame.
FRAMED: Our black wood ash frames are beautifully produced, custom-made frames, made in Minnesota. The framed prints are wall-ready with a ‘sandwich’ of UV plexiglass, the matted / over-mounted print, and a protective back-board behind the print. The back board carries our descriptive-print label on the verso, as the provenance label on the print will not be visible. Finally, we add stainless steel picture-hanging wire to the back of the frame, attached with low-profile hardware, making the frame ready to hang.
FRAMING CHOICE
The print can be ordered unframed or framed. If the print is ordered unframed, it arrives mounted and over-matted, with the provenance label on the verso, protected in an archival clear sleeve and ready to frame.
The framed prints are wall-ready with a ‘sandwich’ of UV plexiglass, the matted / over-mounted print, and a protective back-board behind the print. We seal the back of the frame with archival frame-sealing tape and use coated stainless steel picture-hanging wire, attached to the frame with low-profile hardware.
A CHOICE OF UNFRAMED OR FRAMED
UNFRAMED: If the print is ordered unframed, it arrives mounted and over-matted, with the provenance label on the verso, protected in an archival clear sleeve and ready to frame.
FRAMED: Our black wood ash frames are beautifully produced, custom-made frames, made in Minnesota. The framed prints are wall-ready with a ‘sandwich’ of UV plexiglass, the matted / over-mounted print, and a protective back-board behind the print. The back board carries our descriptive-print label on the verso, as the provenance label on the print will not be visible. Finally, we add stainless steel picture-hanging wire to the back of the frame, attached with low-profile hardware, making the frame ready to hang.
Provenance
This print is authenticated and stamped by the Imogen Cunningham Trust with Imogen's de-bossed signature and chop below the print. The chop is composed of three Chinese characters representing the name 'Imogen' spelled phonetically, Im-o-gen. These Chinese characters translate to "Ideas Without End." On the verso, the print holds the Imogen Cunningham Trust provenance label with its unique serial number.