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Edward Weston and Margrethe Mather 4, 1922
Edward Weston and Margrethe Mather 4, 1922
Open a larger version of the following image in a popup:
Edward Weston and Margrethe Mather 4, 1922
Edward Weston and Margrethe Mather 4, 1922
Open a larger version of the following image in a popup:
Edward Weston and Margrethe Mather 4, 1922
Edward Weston and Margrethe Mather 4, 1922
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The debossed signature is below the print, lower right.
The debossed signature is below the print, lower right.
Edward and Margrethe 4, 1922
Silver Gelatin Estate Print
Print: 13.25 x 10.25 inches
Mount: 20 x 16 inches
Mount: 20 x 16 inches
Framing options:
Currency:
Further images
This print from the Imogen Cunningham Trust is made in the traditional darkroom from Imogen's original negative. Matted and mounted on four-ply archival museum board. A CHOICE OF UNFRAMED OR...
This print from the Imogen Cunningham Trust is made in the traditional darkroom from Imogen's original negative. Matted and mounted on four-ply archival museum board.
A CHOICE OF UNFRAMED OR FRAMED
UNFRAMED: If the print is ordered unframed, it arrives mounted and over-matted, with the provenance label on the verso, protected in an archival clear sleeve and ready to frame.
FRAMED: Our black wood ash frames are beautifully produced, custom-made frames, made in Minnesota. The framed prints are wall-ready with a ‘sandwich’ of UV plexiglass, the matted / over-mounted print, and a protective back-board behind the print. The back board carries our descriptive-print label on the verso, as the provenance label on the print will not be visible. Finally, we add stainless steel picture-hanging wire to the back of the frame, attached with low-profile hardware, making the frame ready to hang.
A CHOICE OF UNFRAMED OR FRAMED
UNFRAMED: If the print is ordered unframed, it arrives mounted and over-matted, with the provenance label on the verso, protected in an archival clear sleeve and ready to frame.
FRAMED: Our black wood ash frames are beautifully produced, custom-made frames, made in Minnesota. The framed prints are wall-ready with a ‘sandwich’ of UV plexiglass, the matted / over-mounted print, and a protective back-board behind the print. The back board carries our descriptive-print label on the verso, as the provenance label on the print will not be visible. Finally, we add stainless steel picture-hanging wire to the back of the frame, attached with low-profile hardware, making the frame ready to hang.
Provenance
This print is authenticated and stamped by the Imogen Cunningham Trust with Imogen's de-bossed signature and chop below the print. The chop is composed of three Chinese characters representing the name 'Imogen' spelled phonetically, Im-o-gen. These Chinese characters translate to "Ideas Without End." On the verso, the print holds the Imogen Cunningham Trust provenance label with its unique serial number.